Practice Membership Archives
Practice Membership with Ari, Discounts, Archives, and more!
Practice Membership with Ari, Discounts, Archives, and more!
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All Courses, Rapid Results Practice
Practicing triads and chords - the building blocks for bass lines!
All Courses, Rapid Results Practice
This Groove Creation Mini Series is applied theory, rhythm, musicality training, and more. Fun but doing heavy lifting as we also discuss groups of 3 over 4 and some pedaling!
All Courses, Learn-from-the-Songs
An iconic bass line with cool dead notes, syncopated rhythms and more. This one is fast, but we approach it step by step, we loop sections and discuss ways to simplify. Get your hair bands out, it's a fun one!
All Courses, Learn-from-the-Songs
We are practicing Hank Mobley's "Gimme That Feelin'". A fun, jammy, bluesy (with quirks!) straight jazz tunes that gives us some great opportunity to practice our reading skills. Also: groove variations, improv and more!
All Courses, Learn-from-the-Songs
Walk right this way, as it's not only funk that presents challenging sixteenth note rhythms with dead notes. This time, Walk This Way by Aerosmith gets us rocking with syncopated bluesy coolness.
All Courses, Learn-from-the-Songs
Joe Dart's epic groove on Lost my Treble Long Ago (by Fearless Flyers) gives us some great technical challenges to work with. In the advanced session, we will take a look at how he builds this cool groove into a groove solo (inspired by live version)
All Courses, Learn-from-the-Songs
158 and assorted challenges, this time inspired by a Black Eyed Peas song, so let’s get it started in here! Also: to one finger per fret it or not?
All Courses, Learn-from-the-Songs, Latest Live Events
I wonder if you are ready to “do your thing”, you know, James Brown Style!? Iconic bass courtesy of both Fred Thomas and Bootsy Collins. The goal becomes to play more freely using these funky sixteenth-note shapes. Bootsy varies this a lot.
All Courses, Learn-from-the-Songs, Latest Live Events
Pass the Peas from the album "Food for Thought" gives us lots to work on: rhythm, feel, what makes it funky... as always we are looking to learn far beyond the Song!
All Courses, Learn-from-the-Songs, Latest Live Events
In 9 sessions, we talk about walking in 3, chords, melody, multi-bass collabs, and solo bass playing using this song from the 1959 musical The Sound of Music (Rodgers/Hammerstein).
All Courses, Learn-from-the-Songs
"So, what if the tune has only two changes? So, what if it's all modal? Or if for once the bass plays the melody? So What is up this week - feel the Kind of Blue vibe and learn this iconic standard that puts the bass front and center
All Courses, Learn-from-the-Songs
I Wish you all will enjoy the awesome, ultra groovy, slidey goodness that is I Wish by Stevie! This "Songs in the Key of Life" classic is sure to capture your desire to be able to groove just as hard as Nathan Watts. Enjoy!
All Courses, Learn-from-the-Songs
Are you a Soul (Wo)Man? An epic and iconic groove with more cool slides to practice and more rhythmic practice. Duck Dunn has Dunn it again. Fun song, basically not too hard, yet 16th notes at 112 warrant a bit of kung fu! Looking forward to...
All Courses, Learn-from-the-Songs
Analyzing classic bass lines from (and in the style of) Duck Dunn. Simplicity combined with emphasis on upbeats make these lines so good!
All Courses, Learn-from-the-Songs
Is it Jazz? Is it RnB? Is it a Blues? Is it a Bossa? The answer is yes. This Joe Henderson tune is a favorite in many jam sessions (it's easy for the horns and fun for the rhythm section). Let's talk a cool rhythm, effective jamming, nailing pesky...
All Courses, Learn-from-the-Songs
One of the most iconic bass lines of all time. We can learn so much from its simplicity - and how making tiny variations can keep it interesting but oh, so funky!
All Courses, Learn-from-the-Songs
Whether you want to learn that one for its cool funky slap riff or the fun groove, it's a favorite in many cover band programs!
All Courses, Learn-from-the-Songs
A true classic rock song that features a driving, rhythmic bass line over a standard blues form.
All Courses, Learn-from-the-Songs
What to do when the rhythm is tough? Here is a challenging gospel tune for us to tackle this question. One of the reasons why is a rhythmic syncopation that is more often than not done a slight bit differently. Let's explore!
All Courses, Learn-from-the-Songs
A song from the legendary 1977 Songs in the Key of Life album with some mighty funky bass from Mr. Nathan Watts! Try this one for challenging funkiness!
All Courses, Learn-from-the-Songs
"The Tide Is High" 1967 rocksteady John Holt/Duke Reid “The Paragons” from Jamaica. We are taking on the Blondie version.
All Courses, Learn-from-the-Songs
An iconic song driven by an iconic bass line that features octaves with string crossings at a fairly quick tempo.
All Courses, Learn-from-the-Songs
Learn how to swing a tune like Fever.
All Courses, Learn-from-the-Songs
This is an easy-going tune with some great opportunities to practice the modal interchange! There will be soloing, reductions, overlays, and more, based on this tune.
All Courses, Learn-from-the-Songs
Ready to Shine? Here we go.... get ready! Amazing bass line using tenths and more!
All Courses, Learn-from-the-Songs
People Say it's time to get your Funk on as we will do not just one but two Meters tunes this week! As always we learn the tune and go way beyond it. These tunes are a great study for • what makes funky funky • straight versus shuffled 16th notes..
All Courses, Learn-from-the-Songs
One of our students posted himself and his band having a go at this tricky tune. Great technique workout and fun quirks in the bass line! Lots to work on here.
All Courses, Learn-from-the-Songs
A beautiful bass line and a great example of an effective bass solo part that's become as much a characteristic of the song as the other parts of it. Enjoy!
All Courses, Learn-from-the-Songs
An iconic tune on bass. Some love it, some hate it, but you cannot evade the fact that that bass intro is just amazing. Don't forget the open strings!
All Courses, Learn-from-the-Songs
I love the feel of that bass line! Just the right note length makes this one shine. Oh and did you knwo that it was meant as a parody? Some songs become hits and it wasn't planned!
All Courses, Learn-from-the-Songs
This Jazz standard is a favorite at jazz jams. If you have never done a Jazz tune, give it a go!
All Courses, Learn-from-the-Songs
This one works not only your fingers but also your smile muscles!
All Courses, Learn-from-the-Songs
Stand by me - a great easy going tune in a single session. We had so much fun we went a little longer. I don't think you'll mind...
All Courses, Learn-from-the-Songs
You are under the gun with this one - Peter Gunn that is. 2 classes, a good choice for an easy-going practice day!
All Courses, Learn-from-the-Songs
A student requested that one. Lovely tune!
All Courses, Learn-from-the-Songs
Sources do not specify whether it's Tommy Cogbill or Mike Leech on bass, but they do specify it's Fender bass. A cool very fun tune that you will surely encounter on a jam.
All Courses, Learn-from-the-Songs
Amazing bass line and a beautiful bass solo. You want to be a fly (or should I say flea?) on the wall on this one. Bring your bass!
All Courses, Learn-from-the-Songs
"Minor Swing" is a gypsy jazz tune composed by Django Reinhardt and Stéphane Grappelli. It was recorded by The Quintet of the Hot Club of France in 1937. It is considered to be one of his signature compositions. (Wikipedia)
All Courses, Learn-from-the-Songs
A beautiful and popular bossa, you will learn the grooves and the melody; Pull off Permutations prepare you for the cool embellishments to play the head, and you will be soloing using a guidetone line!
All Courses, Learn-from-the-Songs
Fun song, fun story, and a great bass line! One session, sure to challenge your technique!
All Courses, Learn-from-the-Songs
Where major and minor collide. Seems so simple but has some cool unexpected twists!
All Courses, Learn-from-the-Songs
Practicing triads never stirred up so much joy! Single easy-going session.
All Courses, Learn-from-the-Songs
We are going pop today and talk about the power of eighth notes in that context. If you like Adele, you will enjoy this single-class session.
All Courses, Learn-from-the-Songs
A surprise hit in 1967 and still going strong today. Learn this cool Zawinul tune and suggest it at a jam!
All Courses, Learn-from-the-Songs
We take a look at the challenging bits. Not a comprehensive study of the tune, but lots of tips for the technically challenging bits
All Courses, Learn-from-the-Songs
As beautiful a love as a tune. Will come your way in jams often.
All Courses, Learn-from-the-Songs
A classic.
All Courses, Learn-from-the-Songs
A must-know tune that puts a smile on everyone's face. Enjoy!
All Courses, Learn-from-the-Songs
That opening riff will work your technique! If you want to rock out while getting a good work out, this is the one!
All Courses, Learn-from-the-Songs
A student was struggling with the bass line of that one, so I created a bunch of drills. Great training! One single session.
All Courses, Learn-from-the-Songs
A longer form exploration of this tune. Busts your chops!
All Courses, Learn-from-the-Songs
Theory never rocked so hard!
All Courses, Learn-from-the-Songs
Expand your horizons with this challenging and cool bass line. A student asked for help with stamina for this long jam song and for getting this one up to tempo. No kidding, great training!
All Courses, Learn-from-the-Songs
A superfun tune by the Jamaicans! Enjoy! One single beginner friendly session.
All Courses, Learn-from-the-Songs
Up for that tricky bit in the beginning? Get ready for a finger twister! (And yes, that's how Cliff Williams plays it!)
All Courses, Learn-from-the-Songs
All Courses, Learn-from-the-Songs
Ari teaches Silent Night as a solo bass performance.
All Courses
The master of bass lines long before the bass even existed... enjoy an ever growing series of Bach pieces! Easier entry points, TAB provided!
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Sound Classes (tense or harmonious or open) • Call and Response ear training • Pros and cons of Ear Training Apps
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Sound Classes (tense or pretty or bland) • Chord Progressions • Identifying scales
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Diatonic Chord Progressions • Cadences (Identifying keys)
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Sound Classes (tense or harmonious or bland) • Building Chords • Chord Progressions
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Improvising over F#m track (call and response) • Hearing Chord Progressions
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Hearing: Chord Progressions • Hearing: Diatonic notes or not • Modes discussion
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Functional ear training - major/minor scales • Inversions • Hearing Chord Progressions
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • The effect rhythm has on perceiving pitches • Call and Response Drills - and identifying the theory behind the notes
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Sus Chords • Rhythm (how it affects how we hear sounds)
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Sounds classes (harmonious, bland, tense) • Short sequences of melodies and putting them in context (different roots) • Playing in the context of the key
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Functional ear training - hearing scale degrees • Improvising - landing on the different scale degrees on downbeat • Inversions
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • How repeating notes retain their sound qualities • How intervals can get “milder” with the addition of 3rds & 6ths • Improvising over I-VI using different starting notes
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Functional ear training - hearing scale degrees • A touch of reharmonization
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Rhythm drills • How pitch influences perceptions of rhythm (and vice versa) • Common chord progressions in a variety of voicings
All Courses, Ear Training
EarTraining bass in hand. In this session, we practice • Singing with the bass • Sus chords (sus2 and sus4) & bassist’s role • Functional ear training- hearing intervals as they relate to the root • Major vs minor chords- context makes the difference
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • All about the modes; down and dirty tips • Functional ear training exercises
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Secondary dominant (substitutions) - hearing and using • Functional ear training - identifying intervals
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: •Recognizing chord progressions •Tetrachord explanation and application; plus hearing the scale degrees •Improv over a dom7 chord using a minor pentatonic, and mixolydian
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Functional Ear Training - Start with root and identify scale degree being played • Functional Ear Training - hearing intervals in your head / singing them
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Reviewing sound classes (sweet, tense, open) • Functional ear training: Identifying and hearing intervals (incl overtone series) • A symetric scale (mode) - Dorian
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Identifying Rhythms • Hearing the different sounds classes: sweet, tense open • Tritone (bluesy sound class)
All Courses, Ear Training
EarTraining, bass in hand in a musical context. In this session, we practice: •Chord progressions & hearing the different inversions •Hearing how notes sound within chord progressions •Tips on knowing which scale notes work best in chord progressions
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Looking at repeating intervals • Contrasting diminished vs augmented, vs reg major/minor • Chord progressions and hearing the different inversions
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Working scale degrees • Noodle-Stay drill • Practicing different tonalities as they go with D minor scale • Rhythm and prioritizing the downbeat
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Functional ear training in the context of a tune • Tips for minor solos - start on the downbeat with any scale degree (ex 6) • Sus chords, major vs minor
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Functional ear training with a variety of tracks: major, minor, lydian, melodic minor • Improv using 1, 2 and 3 notes with the scale fabric
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Ear Training: hearing sounds in context is everything (more than just interval training) • Improvising over chord progressions using guidetone lines
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Functional ear training: Practicing 2 random intervals & adding a third one • Rhythmic studies - feeling the funkiness of 16th notes • Value of writing down rhythms
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Learning a song by ear • Recognizing 2-5-1’s and how to use/add it and other substitutions to a chord progression
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Functional ear training • Chord progressions using modal interchanges; borrowed chords • Improvising over I-IV starting on the 3rd
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Rhythmic studies • A Look into the Modes and how they relate to the roots
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Rhythmic Studies • Common Notes between chords • Advanced functional ear training with 2 notes
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Rhythmic dictation using 3 and swung • Using triplets • Using skips on different beats • Recognizing scales in context of a chord/track
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Soloing over a major 7 chord • Differences of Rhythm • Rhythms can sound different based on context (what comes after)
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Review of lydian versus ionian • Hearing the downbeat note - third=stable, 6=colorful; • Finding the parent scale of lydian • Coming up with grooves for a kick pattern
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Blues Scale • Mixolydian • Major Blues Scale - improv using dom 7 chords
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Context is everything • Improvising over min7 chords - starting on various notes (eg 2, b3, & 4) • Recognizing differences with pentatonic, minor pentatonic and blues
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • G# minor tonality (using the downbeat for an improv exercise) • 6/8 time (quarter notes; dotted quarter notes; eighth notes; sixteenth notes)
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Sussing out Sus chords (open sound) • What to play over sus chords and soloing tips • Sus 2 can have a minor context
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • 2-5-1-6 progression; istinguishing between the minor 6 and the dominant 7 (secondary dom) • Working up some static notes that happen above the chord changes
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Hearing Seconds • Importance of understanding rhythms
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Shedding pentatonics • Finding scale degrees in rhythm • Finding scale degrees in context • Improv exercises
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Finding chord progressions • Secondary dominants • The dominant field, using all dominant chords and making that work using root-5-8, blues scale, major pentatonic
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • C7 Chord - Putting in major and minor pentatonics, and blues scale • Wedging major and minor blues scales together; creating a "donut" • Sus Chords • Mixolydian scale
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Improvising using Triads • Sound qualities between major, minor & diminished chords • Tritone substitutions • Line cliches
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Functional Ear Training and identifying common chord progressions • Identifying scales and modes • Starting and ending on common (non-root) chord tones
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Hearing the differences between triads, minor 7, major 7, and dominant 7 chords • Improv and practice of such chords over 2 octaves
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Major Pentatonic • Importance of Phrasing, Volume, Rhythmic Templates • Call & Response Exercises
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Major and Minor chords • Using Pentatonics • Incorporating Rhythms • Getting comfortable with feeling and minor pentatonic
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session, we practice: • Extending ear training into creativity training • Using Pentatonics • Call & Response Drills (simple phrasing) • Adding rhythm to create more interesting phrases
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session we practice: • Identifying Chords & Chord Qualities • Soloing over Dominant 7 Chords • Functional Ear Training
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. In this session: • Improv playing non-root notes - 3rds, 6ths, and 2nds on the downbeat • How to make them sound good by using slides • Functional Ear Training • Scalar studies / Intervalic jumps
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. Train your ear for real-life situations, from rhythms to pitches, from grooves to melodies. Ari teaches you what to listen for, how to hear details and when to "get the gist" of a section.
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. Train your ear for real-life situations, from rhythms to pitches, from grooves to melodies. Ari teaches you what to listen for, how to hear details and when to "get the gist" of a section.
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. Train your ear for real-life situations, from rhythms to pitches, from grooves to melodies. Ari teaches you what to listen for, how to hear details and when to "get the gist" of a section.
All Courses, Ear Training
EarTraining, bass in hand, in a musical context. Train your ear for real-life situations, from rhythms to pitches, from grooves to melodies. Ari teaches you what to listen for, how to hear details and when to "get the gist" of a section.
All Courses, Rapid Results Practice
Drilling minor triads and what good posture looks like.
All Courses, Rapid Results Practice
Right Hand Tech Shedding, Using rhythm to create grooves, feeling up and down beats and down-and-dirty tricks to create a working groove that drives!
All Courses, Rapid Results Practice
Focus on the fretboard with note naming, whole steps and the whole tone scale up and down the neck.
All Courses, Rapid Results Practice
Dialing up Diatonic approaches for your creative toolkit.
All Courses, Rapid Results Practice
An easy-going, beginner-friendly session - follow along with Ari!
All Courses, Rapid Results Practice
Learning from Louie, Louie: Rhythm and Theory bits.
All Courses, Rapid Results Practice
More ways how to get a scale down. In this case the scale of F major! It will produce some lovely sounds you can use to turn some heads! Technique is a bit of yoga for the fingers, no kidding!
All Courses, Rapid Results Practice
Tricks for Reading. Working through the 5 major Pentatonic patterns.
All Courses, Rapid Results Practice
Drilling technique using hammer-ons and pull-offs. Improv using the pentatonic scale.
All Courses, Rapid Results Practice
Fun with fourths! Using that interval to tie together technique, theory and patterns. Plus some reading tips.
All Courses, Rapid Results Practice
Zig-zagging our way to improve technique and learn to look less at fretboard. Reading tips and improv drills.
All Courses, Rapid Results Practice
Back in Black... 'nuff said! The Technique and Theory behind the epic riff.
All Courses, Rapid Results Practice
Permutation drills for the right hand and left hand, plus some speed-building exercises and some rhythmic training to help you feel the downbeat.
All Courses, Rapid Results Practice
All about the Pentatonics - major and minor. Improv using groups of three notes.
All Courses, Rapid Results Practice
Triads over two octaves! Finger busting, mind busting, powerful!
All Courses, Rapid Results Practice
Find the notes on the fretboard without looking! In this session , we use the augmented scale to "augment" your fretboard knowledge!
All Courses, Rapid Results Practice
Groove and Fill using the 5 Shapes from my Pattern System plus some improv using Pentatonics (hint: they are just shapes within the 5 shapes!)
All Courses, Rapid Results Practice
Deep dive into Triads. Discover what happens when we don't start on the root - inversions and the cool shapes they create!
All Courses, Rapid Results Practice
The value of learning my Pattern System. What is can help with... and what it can't help with (spoiler alert: poor charts!)
All Courses, Blitz Practice
It's a lovely bossa and I'd say most jam sessions the world over feature it at least once, especially if it's a jazz jam: Song for my Father Even if Jazz isn't your jam, you want to check this out. I show you a frequently used trick for soloing.
All Courses, Blitz Practice
Technique Permutations built off of the classic Gil Scott Heron homage to Lady Day (Billie Holiday) and John Coltrane.
All Courses, Blitz Practice
Joe Zawinul's Mercy Mercy has provided generations of jam sessions with delight and fun! It provides us. with a perfect example of how to use the diatonic cycle as an effective practice tool.
All Courses, Blitz Practice
Technique (we will train the traffic finger and shed the fretboard while at it - if you ever were interested in learning how to look less at the fretboard while playing, this is a great drill!)
All Courses, Blitz Practice
Here is some tech practice that doubles as a scales drill.
All Courses, Blitz Practice
Three tracks with the same chord changes, but with three different styles/feels. Reggae, Swing and Shuffle. Feel, hear and see the differences on the fretboard.
All Courses, Blitz Practice
Great Technique drills using theory concepts and familiar shapes and scales.
All Courses, Blitz Practice
Shedding permutations kung fu style to improve technique
All Courses, Goodies
A variety of tech tools, tutorials, bass-specific workspaces, keyboard shortcuts, bass customizations... download Ari's favorite resources and files she has created (some with her geeky partners)! Technology can help you learn.
All Courses, Music Theory, 😁 Playing Level Beginner
Follow along with the book through technique and theory to Chapter 4 and apply the learnings in fun and creative ways! Perfect if you just got the book and want to explore musical applications.
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